Since the dissolution of Daft Punk, Thomas Bangalter has steadily traded the neon anonymity of the dance floor for the more measured, institutional spaces of high culture. His latest project, slated for Art Basel 2026 in Switzerland, continues this trajectory. In collaboration with the Fondation Beyeler, Bangalter is set to co-host an immersive installation that seeks to dissolve the boundary between the visceral energy of club culture and the curated austerity of the contemporary art world.
The project, titled “Warehouse Artefacts,” brings together a diverse trio of creative leads. Bangalter will be joined by the Swiss-French visual artist Julian Charrière, whose previous work has often explored the intersection of human civilization and the natural world through large-scale environmental interventions. Providing the sonic architecture alongside Bangalter is Rampa, the founder of the Berlin-based Keinemusik collective, who will anchor the experience with a performance designed to challenge the conventions of a standard DJ set.
This collaboration signals a growing appetite within the art market for experiences that prioritize high-fidelity immersion over static observation. By integrating Charrière’s physical and visual design with a sophisticated soundscape, the installation aims to elevate the ephemeral pulse of the warehouse rave into a subject of artistic inquiry. For Bangalter, it is another step in a post-robotic career defined by a restless, multidisciplinary curiosity.
With reporting from Hypebeast.
Source · Hypebeast
